Category Archives: Colby

Yellow

In yellow light
Called from outside the calm day
That in reflection said
Love, love, my season
One of three
Seasons of love
Midnight and morning too
This, my spring
Always yielding
Always golden
There is nothing anymore
That can’t be taken
Movie props, my inner voice
Clouds my eyes, I shake off
And walk into a giant tomb
Plastic skeleton, a villain
I go on proud, unhurried
A curious boy, movied
A scalding would be
Interesting, funny
They see me and stay bent down
Two clowns, circus signs
And Egyptian scenes
Pre-playground, fenced high-grass
Lone two trees
I visit them and fallen leaves
Unraked ease, entropic beauty
Strong roots and one tagged limb
I touch it sentimentally
Then pass grass taller than elves
Jealous titans herd them carward
Can’t stand their joy
I’d’ve been better free before sixteen
Spring between stones
Trees, suburbia, industria yellowed
Green circuitry, labyrinth lines
Ibised trees, purple blooms
Ivory squid and furry filament
Walk up to citysight
Meditate on flight
Goes past silent
I watch the space that sounds
Vapour trails and a distant rainbow
Bars, red to green, a stain
Storm of birds flicker in then out

The Ink Spots

Truckin’

Subterranean King Kong

Poets are the lowest. They’re below it all. Our tools are the products of a historical infection. We draw from the black muck made from layer upon layer of fevered zeitgeists. I love simplicity. I love ease. I love comfort. I will not do something simply because it is hard to do, that’s not my game. I do something because it feels right, because this is what I want. Words find us. Books find us. Life finds us if you let it. Let me be the lowest of the low. Let me be scum. Let me be pitied if they want, I will take only what I want from these half-fools. Let me be below it all. Let me be below expectation, obligation, morality, anything but substance. I want substance. As substance I respond to substance. My river finds itself. My river finds more river. My river extends throughout this earth, subterranean, by simple cohesion. There is no action required of me. My awareness of it is made all the more enjoyable when I accept the entropy. So long as I’m dancing a rhythm finds me. I’ll be the beast. I’ll be King Kong. I’ll grab Fay Wray. I’ll conquer the USA. Shoot me down quick I’m at the top.

- Colby

Two New Paintings

Email to Daniel

Ah man, the fucking muse, the bitch. I often find solace in turning my demons into.. demons and my gods into gods. I mean really they fuck with us, we are their playthings no matter how incrementally we understand them it’s only at best a fraction of anything useful of their nature. We will never know their nature and that is the only nature we can gleam from them. I don’t know, to me we can find a pattern in anything. Our lives are a series of intersecting labyrinths of rhythm and I tap into Pattis rhythm of this rhythm finding. It worked me out ironed me out perfectly theres a rhythm theres a rhythm in everything and everythings a virus a series of hypnotisms that too thats how I get by lately I know whatever rhythm i’m on its justifiable somewhere and if I’m not digging the current rhythm then why not? and its usually that i’m nostalgic for a rhythm I had once or I’m bored with this rhythm. Usually I’m bored I get so fucking bored. But lately I find the boredom is the answer. Boredom to me is a holy thing. Its a dissatisfaction and a sense of acceptance with this current state. Acceptance is death. Death is accepting life. Our lives are dissonant destructive impetuous demons with a limited moth-like flurry into this world with pollen supplies too vast to ever taste em’ all so I just flurry. Usually I’m bored. Usually this thing I’m sitting in this moment I’m sitting in this bed I’m in this person I’m with this person I’m talking to the stillness of my mind. What’s wrong with stillness of mind. Stillness makes me anxious. Manic states make the buddhist anxious. I wish we could swap. I wish I could trade all the worlds insanities for the stillness of my worlds. But why is that? Theres anxiety in everything. If its anxiety I want. Theres something in everything thats my belief. We are lead into realms of meaning by the very design of our language. By the very design of language itself. We’re funneled into these pits of emptiness and incompleteness. So I would never dream of being capable of giving a fitting response for this is no response to what you are talking about. What we are talking about is bigger than anything. It is the thing underneath it all. Its the beast I’ve been grappling with ever since I have been conscious. Its the real reason of my cries, the baby milk just softening its pain. Its the reason our wounds harden and the tinnitus – latin for ‘ringing’ – an endless ohm that some make holy and others make their nightmare, its the speckles in the sky that never go away they just meld into the background a constant static that impedes any blackness you once had theres never blackness and either there’s endless loneliness or endless connectivity endless mikvah luke-warm baths even have regions of heat and limbs and hot spots and we all want a hot spot with some limbs but either way the thought cannot be reduced it cannot be ignored, only incorporated and there are two doorknobs to… as bobby said: And your feet can only walk down two kinds of roads Your eyes can only look through two kinds of windows Your nose can only smell two kinds of hallways You can touch and twist And turn two kinds of doorknobs and its always a binary choice and neither is ‘right’… I’ll ask for Bobby’s help again. Bobby’s Help And though it’s only my opinion I may be right or wrong You’ll find them both In the Grand Canyon At sundown You’ll find them both in the grand canyon at sundown. Both existences, all existence, can be found not just there but in any moment, any place, and thats whats fucked. This is the great unsidesteppable for me. I don’t know how to get passed this one. There is this darkness found everywhere in anything. This darkness is infinite. There is no objective happiness. And however much I talk about the relativity of what I say and the meaninglessness of it all there is never an out, not that I’m aware of until I’m out. I slip out, I always slip out and there’s the faith that I’ll slip out again, but it’s never good enough. So I’ve decided to always look. Never settle. I’m never settling again and I’m never getting nostalgic, if i’m remembering I’m reliving everything shall be lived through me I shall not be passive even writing is lived I will not be objective to anything no more neutrality to me the body is a black hole a reversal death we travel backwards towards our fate and meaning is drawn towards us in our special unique pattern, bee dance to the nectar of nothingness and this is our living historically backwards facing and forward some double-headed steppenwolf but to me its about dancing you see dancing is living everything in my life needs to be a dance otherwise I’m just miming i’m just pretending I never played as a child I played for keeps I played to the death my play is life and so I must slip out of it all I’m shedding play clothes we must dance naked not for some purity not always naked either but just remember nakedness remember virginity and the purity of our existence remember our ancestry in those dark caves dancing christmas, winter equinox, three days in a cave, no self just desires sometimes submitting to one sometimes another the pure manifestation of desire is only possible in the absence of self so I submit myself to abduction I offer whatever I have I’ve relinquished everything to my slave-drivers and they can do with me what they will but I have allegiances to many I’m a spiritual double-agent I’ll double-cross anything to get that girl to chase that rabbit taste that light eat everything in sight i’ll devour everything I’ll devour anything I can i’ll smoke it, chew it, suck it, fuck it, I want it and it’s all over now and all now and out over and out over and begun begin and end together destruction completion actualisation i stop becoming, I get bored I’ll become.. you, you thought, you bore me with your stagnation I call you Stagnate Stagnatus I’m bored give me a new kick there’s only so much to do with this whole relativity so i pass it over kick it over to someone elses kick later whatever not my kick anymore I can’t be fucked laziness can be a virtue everything can be a virtue whats a virtue? A virtue is an indulgence of a demon. As many virtues as desires. Virtuous political systems. Political systems develop like any natural ecology, why do we want these particular patterns, that’s what I keep asking. Often I’m avoiding something man. I’m always fucking avoiding. Thats the troll in my asshole right now, it blocks all my excretion, all my joy of shit, shit being everything in existence everything can be eaten and shat, shit is everything. This troll he blocks it all. This troll that flits me from one thing to the other to me I want to indulge I want virtous life a devoted life. I devote myself to things is what I do. I have methodically found the ways of life that lead to the most kicks. Roughly, the order that I threw things away was something like: ‘holiday’, family, nationalism, sex, self. I find them all so boring. Almost every title I find limits me. I hate that shit. Social titles are especially shit. Social life in general is one of the shittest things I’ve ever hated. I always get so limited by it. Its the socialness of religion that I hate. Its the dogmatism. Ah it makes me want to fucking vomit. Violently. Its how they all manipulate each other and themselves in the eyes of each other. Awk. Social. Man everything needs to be reduced. I feel like the world is a messy room. These rooms never get the Sunday cleaning. Aw its all so messy. So cluttered. Useless pamphlets are our carpet. I can’t pretend to be clean. Yank. Septic tank. Let me wallow in the shit let me rub myself up in our refuse its all a fucking shithole so I’m rubba dub dubbing myself and wheeling around shit fights whirling by I’m all american as I can be rhyming slang instilling the ring to my voice mouthing the words to I pledge allegiance playing in reverse over the dream machine this is my anti-spell I have a dialectic anti-spell for each of you ‘poof’ and it can all go ‘poof’. These things these things that take us over Daniel, I’ve been trying to talk about things but you’ve opened my P(andora) Box and this isn’t a brief topic for me, but these things that take us over. There are so many. We have to think didactically, logically, about these infinitely illogical beings. We have to think why we have allegiance to one and not this one. I mean really. Its about happiness in the end. We can’t live for ideas. This is very important to me is that we cannot live for ideas. We can only live ideas. Be ideas, only ever momentarily, even if that moment is a lifetime, all stories chased to completion end in death. But to me this is it. If an idea gives us pain theres a friction of forces and theres an alternate force we’re forgetting and can be considered. Then it becomes a decision. Everything can be made binary and this is where I get off. I turn everything into a fork in the road. I make a decision. Everything is my decision. Everywhere I’ve been and everywhere I go is a decision of mine and I’m never the victim to anything except myself. There is no ‘fairness’ and no cheating. If anything, if we were forced to use these words, I would have to say the closest thing it resembles is that unfairness is the rule and you, not the house, is always cheated and exploited. No one promised us meaning. We were bold enough to ask for it so we are given the task of finding it. Its easy enough anyway. Pain and sadness to me are interesting. I am scared of indifference but it is startlingly reminiscent of absolute interest. I diffuse myself into everything and lose myself. Now I have an overlapped dedication to certain muses. A conscious dedication. I’m finding by didactic logic that which provides my kicks most consistently in both strength of kick and length of its visitation and also what kicks it excludes and which kicks it improves. There is an economy of kicks. I try reading buddhism but it makes me nauseous, I agree with their use of words in trying to free us from fetters but I’m never seeking immortality. I’m seeking to remember. I’m only ever remembering. I’m remembering my kicks, how to get them. I remember where my kicks are, and which I was just doing for some concurrent kick that I used to be in but really if I’m to be honest with myself I ended up lending myself to to complete the two-part, three-part, poly-part structure I fell in love with. I guess this is what I’m saying is that we can lend ourselves to these ideas and be taken with them, yet we have to construct a certain kind of insurance for ourselves a reminder, some kind of mental tattoo that says in the end I’ll get my kick, and I’m only ever using, devouring ideas for my own kick, and once it dries up I owe you all nothing and you me, there is only instant transaction and IOU is simply a form of control that the lender and borrower have to be foolish enough to deal with the king devil Time and really in the end its all the same and equalised so you might as well just trade it all up but no matter what I say theres no comforting prayer thats not an illusion and thats all I’m ever offering whether its a thousand or ten thousand words or a breathe all I’m ever hoping for is some kind of prayer that hits holy but I’m never saying their infallible we’re all balloons and we drop and rise with unknown currents unsure of the friction that helps raise and lower our own inflation… this is really hard. I can’t offer comfort. I can only offer myself. I am pure. I am honest. I can only offer honesty. We can all say words like: I love you, I think you’re amazing, I think you’re great, I love your work, I think you’re a genius, I think you’re incredible, I think you’re special, I think you’re nice, I think you’re good, I think you’re a good person, I think we have something special, I think you have something special, I think this is good, ad infinitum compliments. Theres an endless of stream of complimentation that no victim of can ever endure if in a state that we would think needs these kind of things. Death has been playing lately, to which there is no consolation. Which has reminded me how there is never any consolation. Basically we need to swallow this immense life and shit it out stir through our shit and fertilize new lives with it, disgrace ourselves, horrify others. We need to live new lives. We can’t stagnate. Stagnatus. Sadness is a pain. A lag in time. A boring fucking fold that we’re stuck in. We need to pinch it off and continue. We must find our kicks. Our penises hold kicks. Our sleep holds kicks. Reading. Dancing. Writing. Profanity. Drunkenness. Pain. Sitting still watching rain. Watching shit. Shitting. Showering real hot. There’s a rhythm somewhere Daniel. Find it. Find the rhythm. Forget everything and find it. Forget everything. We must remind ourselves to forget everything. Its a hard reminder. Its the curse of the skeptic. Descartes before he yelled uncle with his God. I hated him for it. I loved then hated that man. His words. OK but especial demons are social demons. What the fuck are they? Social niceness makes me sick. I wish I could vomit it all out. I hate it all. Niceness is absolute nothing. AH, worse than nothing. Nothing in sheeps clothing. Greener pastures are another type of demon. It is the demon of fear. Fear of ourselves. We fear our inability and act reserved around our loves and don’t pursue them completely from some fear of lameness perhaps or fitting under this title or being predictable or who knows what else. Awkwardness is beautiful. Its special. It sleeps between our accepted ideas of social interaction. Honesty. I dig honesty.

Enough! or Too much

In times like this I don’t know what to do beyond sit and breathe and contemplate the spinning, dried out shrub smoothed by wind into a titan’s tear of wooden interference. As it turns the changing niches produce a spirit that spurs thoughts of glittering afterlives, the sea in gold leaf, the eyes’ illumination, mashed jewels in the face of the girl you love, that, like your love, can’t be captured, not without motion, context, not without your love.

You do, though, you must. Your love is a shudder that cannot be ignored. You feel you might burst or vibrate through the floor, into the earth where maybe, just maybe, you’ll find seismic peace. It resembles restlessness, superficially, though it’s exactly the opposite. With each you’ll wander streets without aim, drink, eat anything, smoke things, clean, dance, ride, wander but not to escape, this time only to prolong, to extend…Even in its midst you’ll mistake it, treat it like its evil twin and it’ll run, afraid, or maybe with the same inevitable force, just made painful or rushed by your impossible hopes like an identity from its lover. Not just physical definition in their vision binding visual nouns towards singularity but self with non-self too, the entropic dissolution of this premise is inescapable so that they swear their soul is being ripped from them and you can’t bring yourself to lie and tell them its not. Instead you just whisper ‘let go, let it go, let it be…’

Different, you’re free from the anxiety. There’s little attraction in anything that deviates too dramatically from your golden path, which you can see when you close your eyes, it’s more than an aftereffect of watching the sun snake along the creek before, no, it’s not so obvious. It’s a backlit edge you not so much see but feel, or am drawn towards by an animal magnetism you know has been disproven but still can’t shake.

You’ve shaken the anxiety of love. You’re without the fear of loss in the midst of pure joy. You’re no longer scrambling to record, preserve, but find yourself almost bleeding ink, reminiscent of a blissful letting, words for leeches.

You don’t fall into the same traps you found yourself in before. Undeserving recepient, not knowing what was given, thinking it another pain to be disassembled, taken care of. You avoid anything that’d push you over this threshold. Joy is not cause for excess. What need have you for anything? You’ve been made a sponge and simply want exposure to everything, you want absolute diffusion, don’t confuse this with a need for absolutes, beyonds.

Saturation is had in an instant though. Seeking the beyond will only disappoint, it’s sitting beside you, comfortable in the chair just warmed by you a moment ago. All that’s needed is floating, calm floating.

Poetry has its limits

poetry has its limits
edges of expression
edge of (understanding/subjectivity/existence)
wheres my fix?
theres my fix
post-existence addiction as some human condition
there is no solution as there is no problem

time spent
thinking poetry
magnetic absurdism
mean-
ingful
as sensation
and chance

Okay, but really, now that I have your attention: wait, I have to
tell you this in reverse. Or maybe beforehand and then with a final execution in the
end, for once you execute this, your attention will be so complete that you will not
even be able to take this in. Okay, well, basically: you will close your eyes, then type
your thoughts, alright maybe it’ll start out banal, or shit, but keep writing, it will flow
surprisingly well, and just let it go, the concentration kind of maintains itself in
someway its like the writing itself takes over your mind and even now you can see
the future keys light up like some invisible map of the keyboard and your confidence
in its execution and it man oh man it floats so well and can’t you see how nice it
would be if two people hooked up, closed their eyes and just typed at eachother and
would be hit by some kind of buzzer or just come out when they do and enter it so
that each sees it once their brain has been leeched for that moment that would be nice
that I could like imagine that it could all be so nice this technology this infinite
instantaneous Ginsberg howl Munch scream ah he sounds so nice Ginsberg he lays it
out like so nice i fucking love it and realising i love it i somehow realise (maybe
further, maybe remember) my love of Patti (no maybe it is further, this feels new I
guess, something true) then that takes me to how I want to make that zine, some
publication, and then that reminds me of our talent nights, or open mic nights, that
would be nice I want to do that. Hubert Selby Jr rants of infinity.
Ah I went and looked for Pynchon but Ginsbergs relentless “mulak!” gets the better of
me, its fucking good. I love it, its a screaming, moaning, expression of beauty of
crazy mad meaningful/less endless fun danger joy i want it all in my one my only one
to the sky and into some hole and out again and keep rolling it got me yeah it got me.
But yeah I came back to talk about this kind of expression, the freedom of it. But then
strangely simultaneously I was thinking about Pynchon expression, biographies as
presentations, histories, short thoughts, ideas, fucking anything as some kind
expression, even nice, reserved writing about what’s going on, just like the kind of
realism with drawing I was thinking just the careful examination of our world with
words is a fascinating exercise. Endless in itself. You could endlessly talk simply of
what has gone on around you, what you are seeing, feeling, thinking, its fucking fun
you could go on forever.

Ennui

Ernest Hemingway worked as a journalist for the Kansas City Star. Here is the style sheet he used.

Kansas City Star Style Sheet

His robotic hypnotism to the spoken word’s expression is like a moaning awkward tone that depicts like nothing else the impossibility of our expression. His spoken commas, periods, pauses and literal pauses have the power of an incantation and I am in fascination of his channeling. This is seeing the muse spoken. I aw. Aw. Aw man, its dropping me. Look at this. This is it. The one. Hemingway is a curse. Smite me. Curse me. Incant me. Voodoo drums blood in my eyes. Rip maw rip hit me up. Dedication. Dedication.
Tapping in
Tap me in
Concentration. Agitation. Contemplation.
Production, they’ve stolen production. Productivity of pain. Pain as muse and unspoken unspeakables the rapturous destruction listen to the incantation this is the only productivity and its pure its pure see this is the painful curse. It’s the Hemingway curse. Let me die but I must live and this is life in death and death in life. I’m a two-way spectre and the pain is dissonant and alternate ringing round and in to out. They’ve stolen my productivity. They’ve made it theirs. Its something I owe it to somebody else it’s a compensation for our original sin it’s the debt owed as a member of this social contract we’re partakers and now there is distance. There’s always distance.

You haven’t stopped running; and, whatever distance you think you have put between you and you, you still leave behind new statues of salt.
-    Andre Breton

French translation dubbed over the original sound of Hemingways’ Spanish.

Those Kafka ghosts are inevitable but they’re nothing but the ghosts of distance. Distance is the most devilish thing I’ve ever encountered, and scares me wide-eyed awake quite often. The distance between you and your audience, you and your friends, you and your lover even in an embrace, you and your mother, you and life, you and yourself, theres always distance and its terrifying but irrefutable, indestructable. These are the ghosts. They reveal themselves in our attempts to reconcile it but thats no argument against it and clearly Kafka never meant it as anything like that for he still wrote a few times a day, Milenas letters coming in bouts of twos and threes, though likely not quite as prodigious as his, though we’ll never know, but still the input and output in some kind of dialogical race that he must have known felt damn nice. Even ghosts have rhythm

- Colby

White Ribbon

I watched a movie today. I had just eaten lunch and was having an outing because I’d seen the sky through my little window and it looked too nice to be on the other side of so I walked a few blocks up to the theatre. Its Monday and they have cheap movies today, so I figure I’ll just go up and see if anything good is playing and when  I got there there was a movie playing called White Ribbon. I’d seen the preview and had been excited to see it. I remembered it had won the Cannes award and looked fucking beautiful. Good enough for me. Six dollars. Its playing in two minutes and I turn right to zip off the the Woolworths below. I get some of that 85% chocolate, the green and black one, that shit is something else. Like a good, good drug that one, eat a whole bunch and reel in that euphoria, almost like a blackout shower. I grab the chocolate then get some big grapes. All the bunches seem way too big but I find a smaller one underneath the rest and grab it. I hold the chocolate with my wallet just right there in my hand and go through the self-checkout and pay for the grapes and walk out. I zip up to the cinemas and then am lead down a series of right angled, downward turns to cinema 5. I get in and the previews are going and there’s not too many seats. I get one closer than I’d ideally be but still pretty nice, sometimes I forget how good a big screen in your face is. Real cinematic style. I’m peeling into my chocolate and making some noise while the previews are still going. I pop a grape in my mouth right before the movie begins. The movie begins totally silent with some white letters on black. The grape sits in my mouth, unchewed. I slowly press down through its meaty, slimy, juicy texture but it just seems too loud so I stop. Its so silent. I can hear the slow, laboured breathing of someone behind me and occasional rustlings from the other viewers. Otherwise there is just the cyclic reeling of the projector and mostly I’m just looking at these German names. I’m really digging this already. Already I can feel the awkwardness of everyone around me, our acceptance of this imposition of the movie, our submission to its will, our reverance, from fallen ones like us. I’m actually impressed by our piety. Humanity-faith. True use of an introduction. Everything is just layed out bare-bones. All the words. Directors name. Title. Then it begins with a narration. It begins as saying that he is sharing a story, though some of it is gathered from heresay and so he’s not sure of the validity yet he feels he should share it anyway. Something to that extent and predictably, I dig on the introductory ambiguity of it. The movie opens up and its beauty. Beauty beauty beauty. The close up shots of faces and young acting, real acting, people not characters, life not acting, these emotions seem real. Its gripping me and I’m intrigued. Think Hitchock/Renoir/Cassavettes/ I mean real personal, beautiful I mean absolutely perfect Uzo Renoir perfect silver screens of faces – Faces faces. Insolvable absurdity. Deep down driving. Absurdity. No point in even talking about it really…Watch it: White Ribbon.

Email to Nell

Nell you’re a fucking seer. It freaked me out to hear it. I didn’t know what to say, what to do. Actually, I minimised that email and felt I should show it to Hayley but didn’t. I was afraid of what it would do. But it was hanging over me the whole day. Then in the afternoon, I had to address it. It was there now. There was no escaping it. It had been materialized out of thin air by some ghost from Byron. In an email! I sat down, wanting to ‘connect’ and started talking about our lack of connection with our lives, and with each other. We’ve been trying to get by, ride through the storm kind of thing. Each in our own way. I’m not usually of that mind. I normally get anxious. I’m sure each of my friends have heard me complain at some point of being numb, empty, lacking. But that was me raging against my apathy. This has, lately, been an apathy to my apathy. Ironically, because every state of apathy before has been followed by a period of intense creativity. So I just saw it as an inevitable dip before a rise. But fuck, maybe each dip was followed by the rise due to my anxiety of being in the dip. How dare I accept a dip. I can’t accept dips, dips are death. Dips are holes that drag you down. Sand pits of stillness and emptiness. One is filled with anxiety in such states due to the absolute creative danger of these states. I am intelligence. I feel if there’s anything I can attribute to myself its the pursuit of knowledge. Love of information. My problem has been with this vessel I’m using to pursue this knowledge. This faulted, limited body. Even harder is living in this practical world, the world of logistics. While I love this world of infinite, creation, what Graves’ calls the White Goddess, our muse, I need to keep a foot, or a toe, in this other realm. This realm of degrees, social circles, names, titles. Its fucking with my head though, cause the two contradict each other. Its doublethink. But I haven’t even been struggling. Some other part of my brain has taken over. Kicked into autopilot. But the stillness is getting too much and almost simultaneously all my close friends have started coming out of the woodwork. Almost like we can all smell what we have to give each other. Smell it through the internet, over wireless networks that travel via human consciousness. Josey called me, he’d been kicked out of his house, and we talked art, we talked like normal, he just wanted someone to connect to. And I could do it. Amidst this nothingness if someone hits the right buttons, the right sounds come out. Its possible. The potential is within is always. All that can happen is that we can forget. The spark, the energy goes on uncaptured. A meaningless death. But the potential is always there. Moments of caffeine, moments of friendship like when Josey first came down from India and we walked the streets talking of singularity, art, artists, things we love. Other times, morning, night, I have ideas, I can get writing going. It can come, it can go. When we pursue art we’re trying to capture it. Understand it. We can’t, not while we have our foot in this realm. But we get glimpses. We bring back artifacts. So fuck. In short, I’m trying to say thank you Nell. Thank you for your dream. Thanks for sparking a change that needed to happen. That I hope was bound to happen, but perhaps needed an outside spark. Momentum’s been building. Creation is amongst us. Raina is in Melbourne. I’m meeting with him and Fuller tomorrow morning before Fuller goes up to Byron. You should see him while he’s up. He’s good. We’re all good. As Molly said we need to be together. Connectedness is life. We are knowledge. I am going back to University. I’m studying Neuroscience, I’m fucking excited. I’m looking for a studio, and I’ve been drawing again, writing more. Brain potions aplenty. Both Hayley and I await your arrival. There is so much for us to do. Each of us and all of us.

- Colby

Salamander

Hayley reads aloud about the Romanticists.

Glorification of melancholy and consumption.

Picnic-nature.

I agree that the beautiful infinity of nature is the manifestation of purity itself – firsthand poetry that is (for all can be traced back to this and to me. The origin and end hold a promise of endlessness in their unity) a flickering leaf and a glittering pixel of the extra two decimals on your balance in that atm screen thanks to some absurd logic of attendance to banality, submission, forms, through only softcore sadism.

Nothing to be proud of.

Junkless habits of toned down, half-beat, drop-kick, no-joy, watered-down, dumb fun t.v. death in early evenings fade then loud to hot new cd for show-related products nihilistic napalm necrophilic neck-ties with flu tablet fun, crepes, no jam, this no france, teas in bowls, frogs legs taste like chicken or did you just hear that? or not hear that mor-ning of your phantom – iphone – they’ll implant the feeling of its absence through hypnopaedic, sidelined advertising for our naive struggle for some kind of voice in that aether. What fools. Foolish as literallists in an aphoristic existence. Can’t they hear the irony in their gods? The aether is the playground of communication, the great coming together of sublime and banal desires and notions into a subterranea of noise that will take form like strata and salamander and god knows how many unknown stramatolite-like lovelies living in sulfur high frequencies, feeding on unknown tones, living on god-knows-not-what fun to be a salamander.

A nursing rhyme

Twinkle, twinkle, little tree

Above this head, this head of me

With stars of green

I wonder do I see, or are you seen?

This serene moment

Without a moon

Beyond the greyer scene

It feels so…

So right, I guess

And write, please write

Right these wrongs

That have no place

No place but home but not my home

My house today’s no inbetween

No song to sing

Nothing but some fantasy

To be in finitely

It’s like some frame

Of some… movie

Something real, maybe

Something nice, just say it’s nice

Obliviophile

Desire for destruction
Nietzsches will seems too distant, too tangible, he talks as if we could mould clouds like playdough
My will, my desire, my thoughts I can’t abstract them into golden units strong enough to be talked of unless we perform some total abstraction, some oblivion. But there, there is my destruction, It is obliteration, crushed into my elements by some instigator mistaken for Creator. To be fucked senseless, sexlessly, just obtrusely, bluntly like the feel of some shoe on my verwandelt back. I want my fluid being spread thin, then thick other places – the mark of some squish on her shoes or even between her toes, disgust is welcome just as pleasure.
Or some Pynchonian rocket, the thrill of thrust is worn, movement turned still by uniformity
Now I ascend thrustless, just kind of float by in some theoretical existence I can’t see
Caught in this consistent antigravity despite the sureness of my descent and my written destruction
I can’t shake my confidence in some neverending ascent, some heaven I guess
A gamblers fallacy heaven so transparent so false so made of sound and fury but thats exactly why its there thats what it is
Some impossibility to live for not in defiance of our destruction but because of it, for it. Sounds too nice and romantic but really i mean it if that can be taken beyond that
But then these are the philosophical highs that are counterpointed at every angle by this inevitable destruction
This tantilizing surety of our dissolution
Hyperventilating thinking of this dissolution I feel I’m coming into being with it
The dissolution seems less a part of me as much as I am becoming a part of it
The great falling apart
Lets not tease ourselves and pretend its all for the journey, the existence itself
No, no, to me its the birth its the existence and its the death
And each instant as an expression of this trifecta
So in that we kid ourselves but then keep looking more cracks come up
The peripherals twinkle with this knowledge like some devils grin
Stop-motion cartoons slipped through that time
That gold, that paint you stole from the museum that screen those crystals and all that silicon and electricity
Where’d it steal in from – some invisible space that knows only interference matrices
There’s a crack in the sky-blue, some kind of multi-coloured white silver that makes a web in some crazy wind
In these spaces I’ve felt an affinity for
Some nervous twin I don’t carry don’t follow, something in-between? Steps rhyme some times so well we can’t tell
The dissonance of fear can turn to a lovely medley
As medleys can to some hell song some muses death call
Some animatronic sadness dictated by genetic software
Pataphysical psyche
Driving, just driving, deep down Salesman driving
Ambivilence, deep, down ambivilence
Its driven you, determined you, in some ways
Half-something, american, boy-girl, unfeeling-romantic
The void is sought in some way to dispel its novelty

David Livingstone depiction of a fetish with obscured mother and child

Email To Josey

Josey, remember wandering through the bush behind my old house? Remember running through fields of glass in the afternoon yellow-gold light, amazed that this could be us – that we (us!) could be running as we were running could be amidst the kind of thing we were amidst? Reveling in the ‘bush’ – the bush for bush’s sake. I mean really? Can you remember that? The vision of that, or if you can, the feeling? Remembering wandering around slowly, with a look of wonder, trampling over old logs and strange things, even spider webs were welcomed in a strange way – we loved it all. We were so wise. So wise and so young. We love so purely and we live so purely. These lives we live – they’re pure, they can’t help but be pure. They’re inextricably pure. They ooze purity from their every pore, we cover them up with our make up of meaning and even now in using a metaphor too far I feel dirty, like some kind of whore, all dolled up for the show when really I just want a hug. I just want to hold hands, and kiss softly. Sometimes thats all I want. A lot of times. A lot of times I don’t feel these things I’m told to feel but I still feel. I keep telling myself that just because I don’t feel as they want me to, that I’m still feeling. I feel linked to you in some way. Even though I know we’re different, even though I hear you speak sometimes and I think ‘Josey’s a fool’ but at the same time I know I’m a fool to you. I must be such a fool. I mean I probably seem more a fool to you then you ever do to me. But then it doesn’t matter, i’m talking like it matters but it doesn’t, it doesn’t matter. What matters is I feel linked to you. I feel like we feel the same some times. I can’t invest too much in that, I’ve learned that. I have to own this link. If I feel that something I feel is in you, then thats that, its felt, its done, in a way that can’t be undone no matter how you refute or accept or reject or rejoice or whatever it doesn’t matter your response its that I felt the connection. I feel this link with people and it feels damn good, but then what happens is you get all invested and then they say something or you say something and they give you a look and you start thinking maybe its not that way and maybe its not. But maybe its not right then. But it was when you felt it. You know? It was when you felt it. I mean everythings real so whats it matter if someone supposedly feels it or not? It matters because of how you feel. I mean YOU. and by YOU i mean ME. How I feel is what it comes down to in the end, and by the end I mean now. I mean just getting to the end of the idea. Fuck I’m distracting it all again. I just mean: if you feel its there, in that moment its there, its validated. In that moment, if something exists, it exists, and thats that let it be. Let it be true. Give it that, at least. Its what it deserves, it earned that truth. Nothing can be true forever. I mean I try not get all science-thinking but the big bang supposedly came from nothing. NOTHING. nothing. you know. no time, no space, no matter, NOTHING. and then BANG. existence. so even existence hasn’t always existed. nothing can withstand eternity so if something happens to have some kind of meaning at any moment revel in that moment. fuck but you probably know all this, I mean its all an exercise for myself anyway. I mean thats what talking is in some way. jacking off in each others faces hoping that our cum can lubricate the others’ jacking off. I don’t mean to sound all manic, it’s funny, my thoughts are pretty nice, pretty pure, unadulterated, simple ideas, maybe laced with wine and maybe thats why they are the way they are but they sound all crazy in type. I just don’t want to lose you in the mania, I want to hit something off in you. I’m sending this to you cause I feel a connection to you with this idea. I feel that this is something you’d like. I send this email to you because I feel that of all the people in the world this email is most relevant to you. But you know, you can’t exclude me, sure theres me. But theres me in you. And I can only really react to the you in me. As you can with the you in me. I wish I could see your face, am I losing you? Am I boring you? It’s all loss. I think thats why we prefer face-to-face one on one. Or at least talking some kind of stimulus. You know, though, it all sounds pretty fear-based. I mean why do we need verification that we’re on the right track. I mean sure it feels good but do we really need it? I mean you could say we need food every day right? But fuck, theres kids out there going for days without food, maybe even a week. So its not a matter of need anymore. Define need. It’s a matter of want. We trade the terms like theres no difference between them. We trade need for want because of this very thing I’m talking about: we’re afraid that we’re unworthy of what we want so we say need. Let us fucking want. Whats wrong with want? We need nothing. We are nothing and need nothing. All we are is want. So let us fucking want and come to terms with what it is we are. There I am, side-tracked again, its a fucking bitch, You try to make yourself clear and you end up talking about grasshoppers or grass or some shit which sure has its relevance and its all nice but fuck you might confuse who you’re talking to, might lose them amidst all this noise you’re shouting at them. I mean sure, accept that its all truth, but sometimes you have to accept what you’re doing when you’re communicating: you’re simplifying infinity into some kind of jumble of symbols in some hope of concurrent sublimation. But I say hope like its kind of hopeless but really its the hope itself that we get off on on. We love the conversation before we see the recognition in our listeners eyes’. They’re affirmation of our truth is just the icing on the cake.

I got real lost just then. Lost amidst some jungle of words and language and symbols and conceptualisations. Its like what I was talking about initially: running through the bush. I mean its all the bush, so its all fine – there’s no such thing as running too far, but at the same time, theres a reason we were both out there together. Sharing that bush has something special in it. Theres a reason we were out there together. It’s this phenomena of existence. We look sideways as we run through the high grass. Sure its not about the look on eachothers faces, or the grass, or the sunlight, or any of it – it’s all of it. So it is and it isn’t. I rarely get reflective like this – in fact, only recently have I been going over memories and realising how rarely I do this and how nice it is, but it’s not some kind of love for youth or naivety. I don’t love how little we knew, or how foolish we were or anything like that. I just love that we did that, and the fact that I love that means I could do it again. I can’t help but feel that other nostalgia’s are a kind of regret – a way to regret the current state of their being and glorify the past. Fuck that, I want to love my former self for what I’m still capable of. I see myself running through fields for the rest of my life. It’s the life of the catcher of the rye. I mean all this. You know? I mean it, Josey. Mean. Sometimes periods are more than exclamations. I don’t know sometimes how to get through to someone, especially when I’m limited to words. Otherwise I’d grab you by the shoulders, hug you, shake you, scream at you. But you know? Do you remember? Do you really remember, or have you forgotten? It’s fine if you’ve forgotten? What’s it matter to me? But I just want to know. Do you remember the fields, the grass, the yellow sunlight? Or do you remember something else?